The Bass Shed Podcast
Conversations with bass players, composers, and artists about
Artistry . Craft . Culture
Global Audience in 114 Countries
Rated in the top 5% of ALL podcasts
NEW RELEASE
NEW RELEASE
EP 142 - Georgia Weber
Australian-born, Brooklyn-based singer, songwriter, and upright bassist Georgia Weber joins host Ryan Roberts to discuss her upcoming EP Big In Japan — a collection of poignant, jazz-rooted songs inspired by Japanese traditions, art, and folklore. In this episode, Georgia shares how stories like Itaru Sasaki’s Wind Telephone and the Japanese art of Kintsugi shaped her approach to songwriting — weaving together themes of love, loss, renewal, and beauty in imperfection. The conversation explores her life as an expat musician, her creative process leading The Sleeved Hearts, and how cross-cultural inspiration can deepen artistic authenticity.
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EP 126 -Mark Egan
One of the premier electric bassists of contemporary jazz, Mark Egan has distinguished himself over the past five decades with his distinctive fretless bass sound that has graced countless jazz and pop albums as well as award-winning movie and television soundtracks. An in-demand New York City studio musician who has played on multi-gold and platinum-selling recordings by Sting, Arcadia, Marc Cohn,GRP Christmas, Mecano and Joan Osborne, Egan has also recorded with a wide variety of artists from pop stars like Roger Daltrey, ….
EP 125 - Joris Teepe
Joris Teepe is an acoustic and electric bassist from Amsterdam and has lived in New York since 1992. He has led his own groups for 30 years and recorded 22 CD’s as a leader or co-leader and over 60 CD’s as a sideman.
EP 124 - Tom Kennedy
Episode 124 of The Bass Shed Podcast features Tom Kennedy, a renowned bassist known for his work with Freddie Hubbard, Sonny Stitt, Michael Brecker, and as a solo artist. This episode, released on May 24, 2024, delves into Kennedy's extensive career, discussing his experiences and insights from playing with legendary musicians and his contributions to the music world as a solo artist.
EP 123 - Reggie Hamilton
Episode 123 of The Bass Shed Podcast features an interview with Reggie Hamilton, a renowned bassist known for his work with artists like Seal, Whitney Houston, Billy Childs, and George Duke. Hosted by Ryan Roberts, this episode dives into Hamilton's extensive career and his contributions to the music industry. The podcast is celebrated for its in-depth conversations with both double and electric bassists from around the world, offering valuable insights into their artistry and careers
EP 122 - Darek Oles
Darek Oles has been very active as a performer and became one of the most sought after bass players on the West Coast. “Oles” (his American nick-name) had the opportunity to perform and record with the greatest masters in jazz. A partial list of his collaborations include: Brad Mehldau, Billy Higgins, Pat Metheny, Joe Lovano, Eddie Henderson, Charles Lloyd, John Abercrombie, Bennie Maupin, Lee Konitz, Peter Erskine,
EP 117 - Tony Grey
Tony has gone on to collaborate and perform with some of the world’s greatest musicians, such as: John McLaughlin, Hiromi, Herbie Hancock, Wayne Shorter, Gavin DeGraw, Hotei Tomoyasu, Dennis Chambers, Bill Evans, Mino Cinelu, Brian Blade, Mike Stern and countless others.
EP 114 - Jerry Jemmott (Aretha Franklin, Nina Simone, B.B. King, Session Musician)
Jerry Jemmott is a highly respected American bass guitarist and session musician, best known for his work in the realms of blues, jazz, and R&B. He was born on May 22, 1946, in New York City.
EP 113 - Marty Isenberg (NY Jazz Double Bassist, Composer, Recording Artist)
Playing bass was love at first pluck for Marty Isenberg. His career as a jazz musician began at the age of 12, after losing his father to cancer the year prior. A skilled amateur musician, Marty’s father kept many instruments around the house that he would play for the family. After his death, Marty would pull one of these instruments off the wall and begin teaching himself how to play by reading tablature in Bass Player Magazine. The first song he ever learned was My Own Summer by The Deftones. Playing bass was love at first pluck for Mr. Isenberg. It was a cathartic healing experience, a way to stay connected to his father, and a way to creatively express himself. He went on to study at the New School for Jazz and Contemporary Music where he majored in Jazz Performance and minored in Jazz Composition, and received his Master of Music degree from New York University. He is now a doctoral candidate at Stony Brook University where he is the teaching assistant to the jazz department chair Ray Anderson.
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