One of the premier electric bassists of contemporary jazz, Mark Egan has distinguished himself over the past five decades with his distinctive fretless bass sound that has graced countless jazz and pop albums as well as award-winning movie and television soundtracks. An in-demand New York City studio musician who has played on multi-gold and platinum-selling recordings by Sting, Arcadia, Marc Cohn,GRP Christmas, Mecano and Joan Osborne, Egan has also recorded with a wide variety of artists from pop stars like Roger Daltrey, ….

Joris Teepe is an acoustic and electric bassist from Amsterdam and has lived in New York since 1992. He has led his own groups for 30 years and recorded 22 CD’s as a leader or co-leader and over 60 CD’s as a sideman.

Episode 124 of The Bass Shed Podcast features Tom Kennedy, a renowned bassist known for his work with Freddie Hubbard, Sonny Stitt, Michael Brecker, and as a solo artist. This episode, released on May 24, 2024, delves into Kennedy's extensive career, discussing his experiences and insights from playing with legendary musicians and his contributions to the music world as a solo artist.

Darek Oles has been very active as a performer and became one of the most sought after bass players on the West Coast. “Oles” (his American nick-name) had the opportunity to perform and record with the greatest masters in jazz. A partial list of his collaborations include: Brad Mehldau, Billy Higgins, Pat Metheny, Joe Lovano, Eddie Henderson, Charles Lloyd, John Abercrombie, Bennie Maupin, Lee Konitz, Peter Erskine,

Kathryn is a member of several contemporary music ensembles including the renowned Australian ELISION Ensemble, Fonema Consort (NYC), and the Echoi Ensemble (LA). She has performed as a guest artist with various adventurous international ensembles such as Klangforum Wien, Ensemble MusikFabrik, Delirium Musicum, Ensemble Dal Niente, and Ensemble Vertixe Sonora.

Equally passionate and experienced as an orchestral musician, Kathryn served as a core member of the Hawaii Symphony Orchestra for three consecutive seasons from 2014-2017 and has performed with the Ojai Festival Orchestra, Phoenix Symphony, New West Symphony, California Chamber Orchestra, Lucerne Festival Alumni Orchestra, Pacific Lyric Opera, Maui Chamber Orchestra, and Hawaii Opera Theater.

Bryan Beller has maintained a multi-faceted career as a bassist, composer, solo artist and clinician for over 25 years, earning his reputation as a uniquely talented yet supremely tasteful team player for instrumentally-minded artists.

He is a founding member of The Aristocrats which is one of the hottest acts in rock/fusion today; their 2019 release You Know What…? debuted at #2 on the Billboard Jazz Chart. The Aristocrats also just released a new album titled “Duck” that Brian will speak about.

Brian Beller has been Joe Satriani’s touring bassist since 2013, and also tracked Satriani’s complete 2022 album The Elephants Of Mars. He was Steve Vai’s choice for the 2009 live CD/DVD Where The Wild Things Are, and he also toured and recorded in the “band” Dethklok, a tongue-in-cheek extreme metal band borne of the hit Cartoon Network “Adult Swim” show Metalocalypse.

He’s been a musical partner of freak/genius guitarist Mike Keneally (Frank Zappa) for over 20 years and 10 albums.

John Peña is an in demand touring and session bassist, writer, arranger, producer, and engineer. John has performed and/or recorded with a wide variety of artitists , including: Celia Cruz, Carlos Santana, Julio Iglesias, Tania Maria, Natalie Cole, The Crusaders, Herb Alpert, Chaka Khan, Jerry Garcia, Chick Corea, Steve Vai, Diana Ross, Aretha Franklin, Ricky Martin, Barry Manilow, Larry Carlton, Michael McDonald, Joe Sample, Dave Koz, Arturo Sandoval, Dionne Warwick, Michael Brecker, David Sanborn, Patti LaBelle, Patti Austin, Kenny G, Oleta Adams, Thelma Houston and countless others.

Playing bass was love at first pluck for Marty Isenberg. His career as a jazz musician began at the age of 12, after losing his father to cancer the year prior. A skilled amateur musician, Marty’s father kept many instruments around the house that he would play for the family. After his death, Marty would pull one of these instruments off the wall and begin teaching himself how to play by reading tablature in Bass Player Magazine. The first song he ever learned was My Own Summer by The Deftones. Playing bass was love at first pluck for Mr. Isenberg. It was a cathartic healing experience, a way to stay connected to his father, and a way to creatively express himself. He went on to study at the New School for Jazz and Contemporary Music where he majored in Jazz Performance and minored in Jazz Composition, and received his Master of Music degree from New York University. He is now a doctoral candidate at Stony Brook University where he is the teaching assistant to the jazz department chair Ray Anderson.