Fred Thomas’ bassline on “The Payback” is one of the deepest pockets ever recorded — a slow-burn, hypnotic groove built from space, intention, and absolute control. His tone, placement, and discipline create the unmistakable pulse of the track, proving how much power lives inside a simple idea played with conviction.

Fred Thomas’ bassline on James Brown’s “The Boss” is a masterclass in tight, disciplined funk pocket. His playing is lean, precise, and packed with attitude—providing the relentless forward motion and rhythmic definition that make the groove hit with so much authority.

Bootsy Collins’ bassline on “Super Bad” is a masterclass in behind-the-beat funk — loose, minimal, and full of personality while still locked into James Brown’s strict rhythmic discipline. His warm, dry tone and elastic pocket create the hypnotic groove that defines the track and sets the stage for the evolution of modern funk.

Bootsy Collins’ bassline on “Sex Machine” is a masterclass in minimalist funk — deep pocket, relaxed placement, and the kind of rhythmic discipline that can make a two-bar groove feel endlessly alive. His behind-the-beat swagger and punchy, controlled tone define the track’s iconic feel and set the blueprint for modern funk bass playing.

Bernard Odum’s bassline on “Papa’s Got a Brand New Bag” captures the birth of the funk pocket — short, punchy notes placed just behind the beat to create the rhythmic feel that would define James Brown’s sound. This transcription highlights how discipline, consistency, and micro-timing can transform a simple groove into a genre-shaping statement.

Bernard Odum’s bassline on James Brown’s “Cold Sweat” is a masterclass in funk minimalism — a two-bar pattern powered by precision, micro-timing, and absolute commitment to the pocket. This line shows how economy and placement can create one of the most influential grooves in modern music.

Bernard Odum’s bassline on James Brown’s “Cold Sweat” is a masterclass in funk minimalism — a two-bar pattern powered by precision, micro-timing, and absolute commitment to the pocket. This line shows how economy and placement can create one of the most influential grooves in modern music.