The Bass Shed Podcast
Conversations with bass players, composers, and artists about
Artistry . Craft . Culture
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EP 152 - Noa Eve ( Double Bassist, Composer, Recording Artist)
Bassist, composer, and recording artist NOA Eve joins The Bass Shed Podcast to discuss Late Bloomer, a deeply personal debut album blending solo double bass, bluegrass, new acoustic music, and songwriting.
NOA shares how discovering Edgar Meyer transformed their relationship with the bass, the process of developing an individual artistic voice, and how personal experiences shaped the music and message of the record.
EP 110 - Kenny Lee Lewis (Steve Miller Band / Session Player)
Steve Miller Band bassist Kenny Lee Lewis shares how he landed the gig, sustained a 40-year career, and built his Franklin Founding Father Five bass using 200-year-old spruce from Benjamin Franklin’s home.
EP 105 - Nate Sabat
Bassist Nate Sabat of Mile Twelve discusses blending folk traditions with modern bass approaches, touring internationally, performing solo with upright bass, and expanding into arranging, songwriting, and production.
EP 102 - Erik Kertes
LA-based bassist Erik Kertes discusses balancing touring with artists like Shakira and Michael Bublé, running a studio, composing for film and TV, and releasing his own music under the moniker Nitwit,
EP 6 - Jayme David Silverstein - part 1
Producer Jayme David Silverstein shares how a last-minute sub call turned into a five-year run with Miguel — and what it really takes to build a career in the music industry.
EP 4 - Sam Barsh
Ryan Roberts sits down with Grammy-winning pianist, songwriter, and producer Sam Barsh to discuss life after the New York jazz scene, producing in Los Angeles, and the evolving realities of the modern music industry.
Bassist, composer, and recording artist NOA Eve joins The Bass Shed Podcast to discuss Late Bloomer, a deeply personal debut album that blends solo double bass, bluegrass, new acoustic music, and songwriting. NOA shares the journey of developing an individual artistic voice, embracing vulnerability through music, and using the double bass to tell stories that extend far beyond the instrument itself.