Pitter, Panther, Patter
“Pitter Panther Patter”
1940 — RCA Victor
Recorded in 1940 by the Duke Ellington Orchestra for RCA Victor, “Pitter Panther Patter” is one of the most celebrated showcases of bassist Jimmie Blanton. The performance comes from the Blanton-Webster era of the Ellington band — widely regarded as one of the most artistically significant periods in big band history.
On this track, Blanton steps forward as a true solo voice, reshaping the role of the bass in jazz. Rather than remaining strictly in a timekeeping function, he presents melodic ideas with clarity, phrasing, and harmonic intention. His tone is full and resonant, and his articulation is clean and confident across registers.
The piece opens with bass featured prominently, demonstrating Blanton’s command of the fingerboard through lyrical lines and controlled rhythmic variation. His playing moves fluidly between supportive walking and melodic improvisation, foreshadowing the modern concept of the bass as both foundation and expressive instrument.
For bassists, “Pitter Panther Patter” is essential study in historical evolution — a landmark recording that expanded the possibilities of the double bass from background pulse to featured solo voice.
Take it to The Shed Studio and lock in the time, tone, and feel before bringing it up to tempo.
Suggested Listening
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