I Was Made To Love Her

“I Was Made to Love Her” — Stevie Wonder
1967 — Tamla Records

Released in 1967 on Tamla Records, “I Was Made to Love Her” became one of Stevie Wonder’s early signature hits and a defining example of Motown’s rhythmic sophistication. The bassist on the recording was James Jamerson, whose line on this track is widely regarded as one of the most iconic electric bass performances in popular music.

Jamerson’s bassline is relentlessly driving, syncopated, and melodically inventive. Rather than sticking to simple root patterns, he weaves chromatic passing tones, anticipations, and rhythmic pushes throughout the form. The line moves with constant forward motion, creating urgency beneath Wonder’s vocal and the horn arrangements.

The groove is tight but alive — Jamerson’s articulation and note length create lift and elasticity without sacrificing pocket. His interaction with the drums forms the engine of the track, giving it both propulsion and depth.

For bassists, this recording is essential study in advanced Motown vocabulary — syncopation, melodic construction within groove, and how controlled intensity can elevate a pop-soul arrangement into something timeless.

Take it to The Shed Studio and lock in the time, tone, and feel before bringing it up to tempo.